
It's no suprise that after a period of grunge and anti-fashion we would find ourselves in a decade of glamour and retro-chic. Once the iconoclasts have overstretched their case they leave the style conscious no choice but to return to the fundamentals. Fashion has always looked backwards to go forwards and sometimes with mixed results. Case in point: Bernhard Wilhelm's most confusing experiment with medieval costume. The show was a mix of theatrical costume and sometimes garish carnival. The line between the sins we love and the sins we hate is ambiguous but I believe that the weakness of the show was is that it lacked a consistent contemporary hook besides styling and color choices.

This is one of the tamer looks from the show.
1 comment:
It could only be good if the reference is to old Hollywood. The present state of it seems to perplex me mostly in not so good ways.
And I do believe that those years of grunge and anti-fashion has somewhat mellowed down. It's like Margiela's works aren't seen as radical as it was perhaps a decade ago.
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